Featured Readings in "Rhapsody in Letters"

 
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“In 1947, Max Bense refines the argument in postwar terms that would be especially important to the multilayered form of [essay] film by noting: ‘The essayist is a combiner, a tireless producer of configurations around a specific object ... Configuration is an epistemological arrangement which cannot be achieved through axiomatic deduction, but only through literary ars combinatoria, in which imagination replaces strict knowledge’ (422). Like configurations of fragments in a kaleidoscope or cinematic montage, the essay offers, for Bense, a creative rearrangement and play ‘of idea and image’ (423-424), comparable to Benjamin’s ‘constellations’ of knowledge in The Origin of German Tragic Drama, in which ‘ideas are to objects as constellations are to stars.’”—Timothy Corrigan, The Essay Film: From Montaigne, After Marker

 
 

FEATURED READINGS in Rhapsody in Letters:

 
Nicholas Grosso